Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 2 — HAPPILY EVER AFTER Central question What does the promise of domestic happiness really look like? Main argument The story takes the fairy-tale formula “happily ever after” and tests it against ordinary...
a religious man. Intellectually he was a Voltairian,
emotionally a Bunyanite. To have arrived at this formula was, he felt,
a distinct advance in self-knowledge. And what a fool he had been with
Marjorie! The priggishness of his attitude--making her read Wordsworth
when she didn't want to. Intellectual love--his phrases weren't always
a blessing; how hopelessly he had deceived himself with words! And now
this evening the crowning outrage, when he had behaved to her like a
hysterical anchorite dealing with a temptation. His body tingled, at
the recollection, with shame.
An idea occurred to him; he would go and see her, tiptoe downstairs to
her room, kneel by her bed, ask for her forgiveness. He lay quite
still imagining the whole scene. He even went so far as to get out of
bed, open the door, which made a noise in the process like a peacock's
scream, quite unnerving him, and creep to the head of the stairs. He
stood there a long time, his feet growing colder and colder, and then
decided that the adventure was really too sordidly like the episode at
the beginning of Tolstoy's _Resurrection_. The door screamed again as
he returned; he lay in bed, trying to persuade himself that his
self-control had been admirable and at the same time cursing his
absence of courage in not carrying out what he had intended.
He remembered a lecture he had given Marjorie once on the subject of
Sacred and Profane Love. Poor girl, how had she listened in patience?
He could see her attending with such a serious expression on her face
that she looked quite ugly. She looked so beautiful when she was
laughing or happy; at the Whites', for instance, three nights ago,
when George and she had danced after dinner and he had sat, secretly
envious, reading a book in the corner of the room and looking
superior. He wouldn't learn to dance, but always wished he could. It
was a barbarous, aphrodisiacal occupation, he said, and he preferred
to spend his time and energies in reading. Salvationist again! What a
much wiser person George had proved himself than he. He had no
prejudices, no theoretical views about the conduct of life; he just
lived, admirably, naturally, as the spirit or the flesh moved him. If
only he could live his life again, if only he could abolish this
evening's monstrous stupidity. . . .
Marjorie also lay awake. She too felt herself distorted with misery.
How odiously cruel he had been, and how much she longed to forgive
him! Perhaps he would come in the dark, when all the house was asleep,
tiptoeing into the room very quietly to kneel by her bed and ask to be
forgiven. Would he come, she wondered? She stared into the blackness
above her and about her, willing him to come, commanding him--angry
and wretched because he was so slow in coming, because he didn't come
at all. They were both of them asleep before two.
Seven hours of sleep make a surprising difference to the state of
mind. Guy, who thought he was distorted for life, woke to find himself
healthily normal. Marjorie's angers and despairs had subsided. The
hour they had together between breakfast and Guy's departure was
filled with almost trivial conversation. Guy was determined to say
something about last's night incident. But it was only at the very
last moment, when the dog-cart was actually at the door, that he
managed to bring out some stammered repentance for what had happened
last night.
"Don't think about it," Marjorie had told him. So they had kissed and
parted, and their relations were precisely the same as they had been
before Guy came on leave.
* * * * *
George was sent out a week or two later, and a month after that they
heard at Blaybury that he had lost a leg--fortunately below the knee.
"Poor boy!" said Mr. Petherton. "I must really write a line to his
mother at once."
Jacobsen made no comment, but it was a surprise to him to find how
much he had been moved by the news. George White had lost a leg; he
couldn't get the thought out of his head. But only below the knee; he
might be called lucky. Lucky--things are deplorably relative, he
reflected. One thanks God because He has thought fit to deprive one of
His creatures of a limb.
"Neither delighteth He in any man's legs," eh? Nous avons changé tout
cela.
George had lost a leg. There would be no more of that Olympian speed
and strength and beauty. Jacobsen conjured up before his memory a
vision of the boy running with his great fawn-coloured dog across
green expanses of grass. How glorious he had looked, his fine brown
hair blowing like fire in the wind of his own speed, his cheeks
flushed, his eyes very bright. And how easily he ran, with long,
bounding strides, looking down at the dog that jumped and barked at
his side!
He had had a perfection, and now it was spoilt. Instead of a leg he
had a stump. _Moignon_, the French called it; there was the right
repulsive sound about _moignon_ which was lacking in "stump." Soignons
le moignon en l'oignant d'oignons.
Often, at night before he went to sleep, he couldn't help thinking of
George and the war and all the millions of _moignons_ there must be in
the world. He had a dream one night of slimy red knobbles, large
polyp-like things, growing as he looked at them, swelling between his
hands--_moignons_, in fact.
George was well enough in the late autumn to come home. He had learnt
to hop along on his crutches very skilfully, and his preposterous
donkey-drawn bath-chair soon became a familiar object in the lanes of
the neighbourhood. It was a grand sight to behold when George rattled
past at the trot, leaning forward like a young Phoebus in his chariot
and urging his unwilling beast with voice and crutch. He drove over to
Blaybury almost every day; Marjorie and he had endless talks about
life and love and Guy and other absorbing topics. With Jacobsen he
played piquet and discussed a thousand subjects. He was always gay and
happy--that was what especially lacerated Jacobsen's heart with pity.
IV
THE Christmas holidays had begun, and the Reverend Roger was back
again at Blaybury. He was sitting at the writing-table in the
drawing-room, engaged, at the moment, in biting the end of his pen and
scratching his head. His face wore an expression of perplexity; one
would have said that he was in the throes of literary composition.
Which indeed he was: "Beloved ward of Alfred Petherton . . ." he said
aloud. "Beloved ward . . ." He shook his head doubtfully.
The door opened and Jacobsen came into the room. Roger turned round at
once.
"Have you heard the grievous news?" he said.
"No. What?"
"Poor Guy is dead. We got the telegram half an hour ago."
"Good God!" said Jacobsen in an agonized voice which seemed to show
that he had been startled out of the calm belonging to one who leads
the life of reason. He had been conscious ever since George's
mutilation that his defences were growing weaker; external
circumstance was steadily encroaching upon him. Now it had broken in
and, for the moment, he was at its mercy. Guy dead. . . . He pulled
himself together sufficiently to say, after a pause, "Well, I suppose
it was only to be expected sooner or later. Poor boy."
"Yes, it's terrible, isn't it?" said Roger, shaking his head. "I am
just writing out an announcement to send to the _Times_. One can
hardly say 'the beloved ward of Alfred Petherton,' can one? It doesn't
sound quite right; and yet one would like somehow to give public
expression to the deep affection Alfred felt for him. 'Beloved
ward'--no, decidedly it won't do."
"You'll have to get round it somehow," said Jacobsen. Roger's presence
somehow made a return to the life of reason easier.
"Poor Alfred," the other went on. "You've no idea how hardly he takes
it. He feels as though he had given a son."
"What a waste it is!" Jacobsen exclaimed. He was altogether too deeply
moved.
"I have done my best to console Alfred. One must always bear in mind
for what Cause he died."
"All those potentialities destroyed. He was an able fellow, was Guy."
Jacobsen was speaking more to himself than to his companion, but Roger
took up the suggestion.
"Yes, he certainly was that. Alfred thought he was very promising. It
is for his sake I am particularly sorry. I never got on very well with
the boy myself. He was too eccentric for my taste. There's such a
thing as being too clever, isn't there? It's rather inhuman. He used
to do most remarkable Greek iambics for me when he was a boy. I dare
say he was a very good fellow under all that cleverness and queerness.
It's all very distressing, very grievous."
"How was he killed?"
"Died of wounds yesterday morning. Do you think it would be a good
thing to put in some quotation at the end of the announcement in the
paper? Something like, 'Dulce et Decorum,' or 'Sed Miles, sed Pro
Patria,' or 'Per Ardua ad Astra'?"
"It hardly seems essential," said Jacobsen.
"Perhaps not." Roger's lips moved silently; he was counting.
"Forty-two words. I suppose that counts as eight lines. Poor Marjorie!
I hope she won't feel it too bitterly. Alfred told me they were
unofficially engaged."
"So I gathered."
"I am afraid I shall have to break the news to her. Alfred is too much
upset to be able to do anything himself. It will be a most painful
task. Poor girl! I suppose as a matter of fact they would not have
been able to marry for some time, as Guy had next to no money. These
early marriages are very rash. Let me see: eight times three shillings
is one pound four, isn't it? I suppose they take cheques all right?"
"How old was he?" asked Jacobsen.
"Twenty-four and a few months."
Jacobsen was walking restlessly up and down the room. "Just reaching
maturity! One is thankful these days to have one's own work and
thoughts to take the mind off these horrors."
"It's terrible, isn't it?--terrible. So many of my pupils have been
killed now that I can hardly keep count of the number."
There was a tapping at the French window; it was Marjorie asking to be
let in. She had been cutting holly and ivy for the Christmas
decorations, and carried a basket full of dark, shining leaves.
Jacobsen unbolted the big window and Marjorie came in, flushed with
the cold and smiling. Jacobsen had never seen her looking so handsome:
she was superb, radiant, like Iphigenia coming in her wedding garments
to the sacrifice.
"The holly is very poor this year," she remarked. "I am afraid we
shan't make much of a show with our Christmas decorations."
Jacobsen took the opportunity of slipping out through the French
window. Although it was unpleasantly cold, he walked up and down the
flagged paths of the Dutch garden, hatless and overcoatless, for quite
a long time.
Marjorie moved about the drawing-room fixing sprigs of holly round the
picture frames. Her uncle watched her, hesitating to speak; he was
feeling enormously uncomfortable.
"I am afraid," he said at last, "that your father's very upset this
morning." His voice was husky; he made an explosive noise to clear his
throat.
"Is it his palpitations?" Marjorie asked coolly; her father's
infirmities did not cause her much anxiety.
"No, no." Roger realized that his opening gambit had been a mistake.
"No. It is--er--a more mental affliction, and one which, I fear, will
touch you closely too. Marjorie, you must be strong and courageous; we
have just heard that Guy is dead."
"Guy dead?" She