Project Gutenberg #39378
Mortal Coils
Aldous Huxley
1921Huxley's five-piece fiction collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #39378 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — I: THE GIOCONDA SMILE Central question How does the story turn a cultivated domestic scene into emotional suspicion? Main argument The opening places Mr. Hutton in Janet Spence’s refined world, where...
me a little, don't you, Teddy Bear?"
Mr. Hutton was touched with shame and remorse. To be thanked like this,
worshipped for having seduced the girl--it was too much. It had just
been a piece of imbecile wantonness. Imbecile, idiotic: there was no
other way to describe it. For, when all was said, he had derived very
little pleasure from it. Taking all things together, he had probably
been more bored than amused. Once upon a time he had believed himself to
be a hedonist. But to be a hedonist implies a certain process of
reasoning, a deliberate choice of known pleasures, a rejection of known
pains. This had been done without reason, against it. For he knew
beforehand--so well, so well--that there was no interest or pleasure to
be derived from these wretched affairs. And yet each time the vague itch
came upon him he succumbed, involving himself once more in the old
stupidity. There had been Maggie, his wife's maid, and Edith, the girl
on the farm, and Mrs. Pringle, and the waitress in London, and
others--there seemed to be dozens of them. It had all been so stale and
boring. He knew it would be; he always knew. And yet, and yet....
Experience doesn't teach.
Poor little Doris! He would write to her kindly, comfortingly, but he
wouldn't see her again. A servant came to tell him that his horse was
saddled and waiting. He mounted and rode off. That morning the old
bailiff was more irritating than usual.
* * * * *
Five days later Doris and Mr. Hutton ware sitting together on the pier
at Southend; Doris, in white muslin with pink garnishings, radiated
happiness; Mr. Hutton, legs outstretched and chair tilted, had pushed
the panama back from his forehead, and was trying to feel like a
tripper. That night, when Doris was asleep, breathing and warm by his
side, he recaptured, in this moment of darkness and physical fatigue,
the rather cosmic emotion which had possessed him that evening, not a
fortnight ago, when he had made his great resolution. And so his solemn
oath had already gone the way of so many other resolutions. Unreason had
triumphed; at the first itch of desire he had given way. He was
hopeless, hopeless.
For a long time he lay with closed eyes, ruminating his humiliation. The
girl stirred in her sleep, Mr. Hutton turned over and looked in her
direction. Enough faint light crept in between the half-drawn curtains
to show her bare arm and shoulder, her neck, and the dark tangle of hair
on the pillow. She was beautiful, desirable. Why did he lie there
moaning over his sins? What did it matter? If he were hopeless, then so
be it; he would make the best of his hopelessness. A glorious sense of
irresponsibility suddenly filled him. He was free, magnificently free.
In a kind of exaltation he drew the girl towards him. She woke,
bewildered, almost frightened under his rough kisses.
The storm of his desire subsided into a kind of serene merriment. The
whole atmosphere seemed to be quivering with enormous silent laughter.
"Could anyone love you as much as I do, Teddy Bear?" The question came
faintly from distant worlds of love.
"I think I know somebody who does," Mr. Hutton replied. The submarine
laughter was swelling, rising, ready to break the surface of silence and
resound.
"Who? Tell me. What do you mean?" The voice had come very close; charged
with suspicion, anguish, indignation, it belonged to this immediate
world.
"A--ah!"
"Who?"
"You'll never guess." Mr. Hutton kept up the joke until it began to grow
tedious, and then pronounced the name "Janet Spence."
Doris was incredulous. "Miss Spence of the Manor? That old woman?" It
was too ridiculous. Mr. Hutton laughed too.
"But it's quite true," he said. "She adores me." Oh, the vast joke. He
would go and see her as soon as he returned--see and conquer. "I believe
she wants to marry me," he added.
"But you wouldn't ... you don't intend...."
The air was fairly crepitating with humour. Mr. Hutton laughed aloud. "I
intend to marry you," he said. It seemed to him the best joke he had
ever made in his life.
When Mr. Hutton left Southend he was once more a married man. It was
agreed that, for the time being, the fact should be kept secret. In the
autumn they would go abroad together, and the world should be informed.
Meanwhile he was to go back to his own house and Doris to hers.
The day after his return he walked over in the afternoon to see Miss
Spence. She received him with the old Gioconda.
"I was expecting you to come."
"I couldn't keep away," Mr. Hutton gallantly replied.
They sat in the summer-house. It was a pleasant place--a little old
stucco temple bowered among dense bushes of evergreen. Miss Spence had
left her mark on it by hanging up over the seat a blue-and-white Della
Robbia plaque.
"I am thinking of going to Italy this autumn," said Mr. Hutton. He felt
like a ginger-beer bottle, ready to pop with bubbling humorous
excitement.
"Italy...." Miss Spence closed her eyes ecstatically. "I feel drawn
there too."
"Why not let yourself be drawn?"
"I don't know. One somehow hasn't the energy and initiative to set out
alone."
"Alone...." Ah, sound of guitars and throaty singing. "Yes, travelling
alone isn't much fun."
Miss Spence lay back in her chair without speaking. Her eyes were still
closed. Mr. Hutton stroked his moustache. The silence prolonged itself
for what seemed a very long time.
Pressed to stay to dinner, Mr. Hutton did not refuse. The fun had hardly
started. The table was laid in the loggia. Through its arches they
looked out on to the sloping garden, to the valley below and the
farther hills. Light ebbed away; the heat and silence were oppressive. A
huge cloud was mounting up the sky, and there were distant breathings of
thunder. The thunder drew nearer, a wind began to blow, and the first
drops of rain fell. The table was cleared. Miss Spence and Mr. Hutton
sat on in the growing darkness.
Miss Spence broke a long silence by saying meditatively.
"I think everyone has a right to a certain amount of happiness, don't
you?"
"Most certainly." But what was she leading up to? Nobody makes
generalisations about life unless they mean to talk about themselves.
Happiness: he looked back on his own life, and saw a cheerful, placid
existence disturbed by no great griefs or discomforts or alarms. He had
always had money and freedom; he had been able to do very much as he
wanted. Yes, he supposed he had been happy--happier than most men. And
now he was not merely happy; he had discovered in irresponsibility the
secret of gaiety. He was about to say something about his happiness when
Miss Spence went on speaking.
"People like you and me have a right to be happy some time in our
lives."
"Me?" said Mr. Hutton surprised.
"Poor Henry! Fate hasn't treated either of us very well."
"Oh, well, it might have treated me worse."
"You re being cheerful. That's brave of you. But don't think I can't see
behind the mask."
Miss Spence spoke louder and louder as the rain came down more and more
heavily. Periodically the thunder cut across her utterances. She talked
on, shouting against the noise.
"I have understood you so well and for so long."
A flash revealed her, aimed and intent, leaning towards him. Her eyes
were two profound and menacing gun-barrels. The darkness re-engulfed
her.
"You were a lonely soul seeking a companion soul. I could sympathise
with you in your solitude. Your marriage ..."
The thunder cut short the sentence. Miss Spence's voice became audible
once more with the words:
"... could offer no companionship to a man of your stamp. You needed a
soul mate."
A soul mate--he! a soul mate. It was incredibly fantastic. Georgette
Leblanc, the ex-soul mate of Maurice Maeterlinck. He had seen that in
the paper a few days ago. So it was thus that Janet Spence had painted
him in her imagination--a soul-mater. And for Doris he was a picture of
goodness and the cleverest man in the world. And actually, really, he
was what?--Who knows?
"My heart went out to you. I could understand; I was lonely, too." Miss
Spence laid her hand on his knee. "You were so patient." Another flash.
She was still aimed, dangerously. "You never complained. But I could
guess--I could guess."
"How wonderful of you!" So he was an _âme incomprise_.
"Only a woman's intuition...."
The thunder crashed and rumbled, died away, and only the sound of the
rain was left. The thunder was his laughter, magnified, externalised.
Flash and crash, there it was again, right on top of them.
"Don't you feel that you have within you something that is akin to this
storm?" He could imagine her leaning forward as she uttered the words.
"Passion makes one the equal of the elements."
What was his gambit now? Why, obviously, he should have said "Yes," and
ventured on some unequivocal gesture. But Mr. Hutton suddenly took
fright. The ginger beer in him had gone flat. The woman was
serious--terribly serious. He was appalled.
Passion? "No," he desperately answered. "I am without passion."
But his remark was either unheard or unheeded, for Miss Spence went on
with a growing exaltation, speaking so rapidly, however, and in such a
burningly intimate whisper that Mr. Hutton found it very difficult to
distinguish what she was saying. She was telling him, as far as he could
make out, the story of her life. The lightning was less frequent now,
and there were long intervals of darkness. But at each flash he saw her
still aiming towards him, still yearning forward with a terrifying
intensity. Darkness, the rain, and then flash! her face was there, close
at hand. A pale mask, greenish white; the large eyes, the narrow barrel
of the mouth, the heavy eyebrows. Agrippina, or wasn't it rather--yes,
wasn't it rather George Robey?
He began devising absurd plans for escaping. He might suddenly jump up,
Pretending he had seen a burglar--Stop thief, stop thief!--and dash off
into the night in pursuit. Or should he say that he felt faint, a heart
attack? or that he had seen, a ghost--Emily's ghost--in the garden?
Absorbed in his childish plotting, he had ceased to pay any attention to
Miss Spence's words. The spasmodic clutching of her hand recalled his
thoughts.
"I honoured you for that, Henry," she was saying.
Honoured him for what?
"Marriage is a sacred tie, and your respect for it, even when the
marriage was, as it was in your case, an unhappy one, made me respect
you and admire you, and--shall I dare say the word?--"
Oh, the burglar, the ghost in the garden! But it was too late.
"... yes, love you, Henry, all the more. But we're free now, Henry."
Free? There was a movement in the dark, and she was kneeling on the
floor by his chair.
"Oh, Henry, Henry, I have been unhappy too."
Her arms embraced him, and by the shaking of her body he could feel that
she was sobbing. She might have been a suppliant crying for mercy.
"You mustn't, Janet," he protested. Those tears were terrible, terrible.
"Not now, not now! You must be calm; you must go to bed." He patted her
shoulder, then got up, disengaging himself from her embrace. He left her
still crouching on the floor beside the chair on which he had been
sitting.
Groping his way into the hall, and without waiting to look for his hat,
he went out of the house, taking infinite pains to close the front door
noiselessly behind him. The clouds had blown over, and the moon