Project Gutenberg #1999
Crome Yellow
Aldous Huxley
1921Huxley's country-house satire, prepared chapter by chapter from Project Gutenberg plaintext for vocabulary-focused reading.
Project Gutenberg #1999 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 13 — CHAPTER XIII. Central question What does Henry’s finished history of Crome mean? Main argument Henry announces that his long-gestating History of Crome is finally complete, turning family memory into...
spaniels and whatever other breeds of dog were the smallest. His
father’s stable was also sold. For his own use, whether riding or
driving, he had six black Shetland ponies, with four very choice piebald
animals of New Forest breed.
“Having thus settled his household entirely to his own satisfaction, it
only remained for him to find some suitable companion with whom to share
his paradise. Sir Hercules had a susceptible heart, and had more than
once, between the ages of sixteen and twenty, felt what it was to love.
But here his deformity had been a source of the most bitter humiliation,
for, having once dared to declare himself to a young lady of his choice,
he had been received with laughter. On his persisting, she had picked
him up and shaken him like an importunate child, telling him to run away
and plague her no more. The story soon got about--indeed, the young lady
herself used to tell it as a particularly pleasant anecdote--and
the taunts and mockery it occasioned were a source of the most acute
distress to Hercules. From the poems written at this period we gather
that he meditated taking his own life. In course of time, however, he
lived down this humiliation; but never again, though he often fell in
love, and that very passionately, did he dare to make any advances to
those in whom he was interested. After coming to the estate and finding
that he was in a position to create his own world as he desired it, he
saw that, if he was to have a wife--which he very much desired, being
of an affectionate and, indeed, amorous temper--he must choose her as
he had chosen his servants--from among the race of dwarfs. But to find
a suitable wife was, he found, a matter of some difficulty; for he would
marry none who was not distinguished by beauty and gentle birth. The
dwarfish daughter of Lord Bemboro he refused on the ground that besides
being a pigmy she was hunchbacked; while another young lady, an orphan
belonging to a very good family in Hampshire, was rejected by him
because her face, like that of so many dwarfs, was wizened and
repulsive. Finally, when he was almost despairing of success, he
heard from a reliable source that Count Titimalo, a Venetian nobleman,
possessed a daughter of exquisite beauty and great accomplishments, who
was by three feet in height. Setting out at once for Venice, he went
immediately on his arrival to pay his respects to the count, whom he
found living with his wife and five children in a very mean apartment
in one of the poorer quarters of the town. Indeed, the count was so far
reduced in his circumstances that he was even then negotiating (so it
was rumoured) with a travelling company of clowns and acrobats, who had
had the misfortune to lose their performing dwarf, for the sale of his
diminutive daughter Filomena. Sir Hercules arrived in time to save her
from this untoward fate, for he was so much charmed by Filomena’s grace
and beauty, that at the end of three days’ courtship he made her a
formal offer of marriage, which was accepted by her no less joyfully
than by her father, who perceived in an English son-in-law a rich and
unfailing source of revenue. After an unostentatious marriage, at which
the English ambassador acted as one of the witnesses, Sir Hercules and
his bride returned by sea to England, where they settled down, as it
proved, to a life of uneventful happiness.
“Crome and its household of dwarfs delighted Filomena, who felt herself
now for the first time to be a free woman living among her equals in
a friendly world. She had many tastes in common with her husband,
especially that of music. She had a beautiful voice, of a power
surprising in one so small, and could touch A in alt without effort.
Accompanied by her husband on his fine Cremona fiddle, which he played,
as we have noted before, as one plays a bass viol, she would sing all
the liveliest and tenderest airs from the operas and cantatas of her
native country. Seated together at the harpsichord, they found that they
could with their four hands play all the music written for two hands
of ordinary size, a circumstance which gave Sir Hercules unfailing
pleasure.
“When they were not making music or reading together, which they often
did, both in English and Italian, they spent their time in healthful
outdoor exercises, sometimes rowing in a little boat on the lake, but
more often riding or driving, occupations in which, because they were
entirely new to her, Filomena especially delighted. When she had become
a perfectly proficient rider, Filomena and her husband used often to go
hunting in the park, at that time very much more extensive than it is
now. They hunted not foxes nor hares, but rabbits, using a pack of
about thirty black and fawn-coloured pugs, a kind of dog which, when not
overfed, can course a rabbit as well as any of the smaller breeds. Four
dwarf grooms, dressed in scarlet liveries and mounted on white Exmoor
ponies, hunted the pack, while their master and mistress, in green
habits, followed either on the black Shetlands or on the piebald New
Forest ponies. A picture of the whole hunt--dogs, horses, grooms, and
masters--was painted by William Stubbs, whose work Sir Hercules admired
so much that he invited him, though a man of ordinary stature, to come
and stay at the mansion for the purpose of executing this picture.
Stubbs likewise painted a portrait of Sir Hercules and his lady driving
in their green enamelled calash drawn by four black Shetlands. Sir
Hercules wears a plum-coloured velvet coat and white breeches; Filomena
is dressed in flowered muslin and a very large hat with pink feathers.
The two figures in their gay carriage stand out sharply against a dark
background of trees; but to the left of the picture the trees fall away
and disappear, so that the four black ponies are seen against a pale and
strangely lurid sky that has the golden-brown colour of thunder-clouds
lighted up by the sun.
“In this way four years passed happily by. At the end of that time
Filomena found herself great with child. Sir Hercules was overjoyed.
‘If God is good,’ he wrote in his day-book, ‘the name of Lapith will be
preserved and our rarer and more delicate race transmitted through the
generations until in the fullness of time the world shall recognise the
superiority of those beings whom now it uses to make mock of.’ On his
wife’s being brought to bed of a son he wrote a poem to the same effect.
The child was christened Ferdinando in memory of the builder of the
house.
“With the passage of the months a certain sense of disquiet began to
invade the minds of Sir Hercules and his lady. For the child was growing
with an extraordinary rapidity. At a year he weighed as much as Hercules
had weighed when he was three. ‘Ferdinando goes crescendo,’ wrote
Filomena in her diary. ‘It seems not natural.’ At eighteen months the
baby was almost as tall as their smallest jockey, who was a man of
thirty-six. Could it be that Ferdinando was destined to become a man of
the normal, gigantic dimensions? It was a thought to which neither of
his parents dared yet give open utterance, but in the secrecy of their
respective diaries they brooded over it in terror and dismay.
“On his third birthday Ferdinando was taller than his mother and not
more than a couple of inches short of his father’s height. ‘To-day for
the first time’ wrote Sir Hercules, ‘we discussed the situation. The
hideous truth can be concealed no longer: Ferdinando is not one of us.
On this, his third birthday, a day when we should have been rejoicing at
the health, the strength, and beauty of our child, we wept together over
the ruin of our happiness. God give us strength to bear this cross.’
“At the age of eight Ferdinando was so large and so exuberantly healthy
that his parents decided, though reluctantly, to send him to school.
He was packed off to Eton at the beginning of the next half. A profound
peace settled upon the house. Ferdinando returned for the summer
holidays larger and stronger than ever. One day he knocked down the
butler and broke his arm. ‘He is rough, inconsiderate, unamenable to
persuasion,’ wrote his father. ‘The only thing that will teach him
manners is corporal chastisement.’ Ferdinando, who at this age was
already seventeen inches taller than his father, received no corporal
chastisement.
“One summer holidays about three years later Ferdinando returned to
Crome accompanied by a very large mastiff dog. He had bought it from an
old man at Windsor who had found the beast too expensive to feed. It
was a savage, unreliable animal; hardly had it entered the house when it
attacked one of Sir Hercules’s favourite pugs, seizing the creature in
its jaws and shaking it till it was nearly dead. Extremely put out by
this occurrence, Sir Hercules ordered that the beast should be chained
up in the stable-yard. Ferdinando sullenly answered that the dog was
his, and he would keep it where he pleased. His father, growing angry,
bade him take the animal out of the house at once, on pain of his utmost
displeasure. Ferdinando refused to move. His mother at this moment
coming into the room, the dog flew at her, knocked her down, and in
a twinkling had very severely mauled her arm and shoulder; in another
instant it must infallibly have had her by the throat, had not Sir
Hercules drawn his sword and stabbed the animal to the heart. Turning on
his son, he ordered him to leave the room immediately, as being unfit to
remain in the same place with the mother whom he had nearly murdered. So
awe-inspiring was the spectacle of Sir Hercules standing with one foot
on the carcase of the gigantic dog, his sword drawn and still bloody, so
commanding were his voice, his gestures, and the expression of his face
that Ferdinando slunk out of the room in terror and behaved himself
for all the rest of the vacation in an entirely exemplary fashion. His
mother soon recovered from the bites of the mastiff, but the effect on
her mind of this adventure was ineradicable; from that time forth she
lived always among imaginary terrors.
“The two years which Ferdinando spent on the Continent, making the Grand
Tour, were a period of happy repose for his parents. But even now
the thought of the future haunted them; nor were they able to solace
themselves with all the diversions of their younger days. The Lady
Filomena had lost her voice and Sir Hercules was grown too rheumatical
to play the violin. He, it is true, still rode after his pugs, but his
wife felt herself too old and, since the episode of the mastiff, too
nervous for such sports. At most, to please her husband, she would
follow the hunt at a distance in a little gig drawn by the safest and
oldest of the Shetlands.
“The day fixed for Ferdinando’s return came round. Filomena, sick with
vague dreads and presentiments, retired to her chamber and her bed.
Sir Hercules received his son alone. A giant in a brown travelling-suit
entered the room. ‘Welcome home, my son,’ said Sir Hercules in a voice
that trembled a little.
“‘I hope I see you well, sir.’ Ferdinando bent down to shake hands, then
straightened himself up again. The top of his father’s head reached to
the level of his hip.
“Ferdinando had not come alone. Two friends of his own age accompanied
him, and each of the young