Project Gutenberg #39378
Mortal Coils
Aldous Huxley
1921Huxley's five-piece fiction collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #39378 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 4 — IV: GREEN TUNNELS Central question What kind of emotional space is created by the title’s “green tunnels”? Main argument The story moves through enclosed, natural, and psychologically charged spaces...
that she looked like a piece of badly toasted
bread. Brown face, brown neck and shoulders, brown arms, brown legs from
the knee downwards; but all the rest of her was white, silly,
effeminate, townish white. If only one could run about with no clothes
on till one was like those little coppery children who rolled and
tumbled in the burning sand! Now she was just underdone, half-baked, and
wholly ridiculous. For a long time she looked at her pale image. She saw
herself running, bronzed all over, along the sand; or through a field of
flowers, narcissus and wild tulips; or in soft grass under grey olive
trees. She turned round with a sudden start. There, in the shadows
behind her.... No, of course there was nothing.
It was that awful picture in a magazine she had looked at, so many years
ago, when she was a child. There was a lady sitting at her
dressing-table, doing her hair in front of the glass; and a huge, hairy
black monkey creeping up behind her. She always got the creeps when she
looked at herself in a mirror. It was very silly. But still. She turned
away from the mirror, crossed the room, and, without lowering the
mosquito curtains, lay down on her bed. The flies buzzed about her,
settled incessantly on her face. She shook her head, flapped at them
angrily with her hands. There would be peace if she let down the
netting. But she thought of the Appian Way seen mistily through the
bridal veil and preferred to suffer the flies. In the end she had to
surrender; the brutes were too much for her. But, at any rate, it wasn't
the fear of anophylines that made her lower the netting.
Undisturbed now and motionless, she lay stretched stiffly out under the
transparent bell of gauze. A specimen under a glass case. The fancy
possessed her mind. She saw a huge museum with thousands of glass cases,
full of fossils and butterflies and stuffed birds and mediæval spoons
and armour and Florentine jewellery and mummies and carved ivory and
illuminated manuscripts. But in one of the cases was a human being,
shut up there alive.
All of a sudden she became horribly miserable. "Boring, boring, boring,"
she whispered, formulating the words aloud. Would it never stop being
boring? The tears came into her eyes. How awful everything was! And
perhaps it would go on being as bad as this all her life. Seventeen from
seventy was fifty three. Fifty three years of it. And if she lived to a
hundred there would be more than eighty.
The thought depressed her all the evening. Even her bath after tea did
her no good. Swimming far out, far out, she lay there, floating on the
warm water. Sometimes she looked at the sky, sometimes she turned her
head towards the shore. Framed in their pinewoods, the villas looked as
small and smug as the advertisement of a seaside resort. But behind
them, across the level plain, were the mountains. Sharp, bare peaks of
limestone, green woodland slopes and grey-green expanses of terraced
olive trees--they seemed marvellously close and clear in this evening
light. And beautiful, beautiful beyond words. But that, somehow, only
made things worse. And Shelley had lived a few miles farther up the
coast, there, behind the headland guarding the Gulf of Spezia. Shelley
had been drowned in this milk-warm sea. That made it worse too.
The sun was getting very low and red over the sea. She swam slowly in.
On the beach Mrs. Topes waited, disapprovingly. She had known somebody,
a strong man, who had caught cramp from staying in too long. He sank
like a stone. Like a stone. The queer people Mrs. Topes had known! And
the funny things they did, the odd things that happened to them.
Dinner that evening was duller than ever. Barbara went early to bed. All
night long the same old irritating cicada scraped and scraped among the
pine trees, monotonous and regular as clockwork. Zip zip, zip zip zip.
Boring, boring. Was the animal never bored by its own noise? It seemed
odd that it shouldn't be. But, when she came to think of it, nobody ever
did get bored with their own noise. Mrs. Topes, for example; she never
seemed to get bored. Zip zip, zip zip zip. The cicada went on without
pause.
Concetta knocked at the door at half-past seven. The morning was as
bright and cloudless as all the mornings were. Barbara jumped up, looked
from one window at the mountains, from the other at the sea; all seemed
to be well with them. All was well with her, too, this morning. Seated
at the mirror, she did not so much as think of the big monkey in the far
obscure corner of the room. A bathing dress and a bath-gown, sandals, a
handkerchief round her head, and she was ready. Sleep had left no
recollection of last night's mortal boredom. She ran downstairs.
"Good morning, Mr. Topes."
Mr. Topes was walking in the garden among the vines. He turned round,
took off his hat, smiled a greeting.
"Good morning, Miss Barbara." He paused. Then, with an embarrassed
wriggle of introduction he went on; a queer little falter came into his
voice. "A real Chaucerian morning, Miss Barbara. A May-day morning--only
it happens to be September. Nature is fresh and bright, and there is at
least one specimen in this dream garden"--he wriggled more
uncomfortably than ever, and there was a tremulous glitter in his round
spectacle lenses of the poet's 'yonge fresshe folkes.' He bowed in her
direction, smiled deprecatingly, and was silent. The remark, it seemed
to him, now that he had finished speaking, was somehow not as good as he
had thought it would be.
Barbara laughed. "Chaucer! They used to make us read the _Canterbury
Tales_ at school. But they always bored me. Are you going to bathe?"
"Not before breakfast." Mr. Topes shook his head. "One is getting a
little too old for that."
"Is one?" Why did the silly old man always say 'one' when he meant 'I'?
She couldn't help laughing at him. "Well, I must hurry, or else I shall
be late for breakfast again, and you know how I catch it."
She ran out, through the gate in the garden wall, across the beach, to
the striped red-and-white bathing cabin that stood before the house.
Fifty yards away she saw the Marchese Prampolini, still dripping from
the sea, running up towards his bathing hut. Catching sight of her, he
flashed a smile in her direction, gave a military salute. Barbara waved
her hand, then thought that the gesture had been too familiar--but at
this hour of the morning it was difficult not to have bad jolly
manners--and added the corrective of a stiff bow. After all, she had
only met him yesterday. Soon she was swimming out to sea, and, ugh! what
a lot of horrible huge jelly-fish there were.
Mr. Topes had followed her slowly through the gate and across the sand.
He watched her running down from the cabin, slender as a boy, with
long, bounding strides. He watched her go jumping with great splashes
through the deepening water, then throw herself forward and begin to
swim. He watched her till she was no more than a small dark dot far out.
Emerging from his cabin, the marquis met him walking slowly along the
beach, his head bent down and his lips slightly moving as though he were
repeating something, a prayer or a poem, to himself.
"Good morning, signore." The marquis shook him by the hand with a more
than English cordiality.
"Good morning," replied Mr. Topes, allowing his hand to be shaken. He
resented this interruption of his thoughts.
"She swims very well, Miss Buzzacott."
"Very," assented Mr. Topes, and smiled to himself to think what
beautiful, poetical things he might have said, if he had chosen.
"Well, so, so," said the marquis, too colloquial by half. He shook hands
again, and the two men went their respective ways.
Barbara was still a hundred yards from the shore when she heard the
crescendo and dying boom of the gong floating out from the villa. Damn!
she'd be late again. She quickened her stroke and came splashing out
through the shallows, flushed and breathless.
She'd be ten minutes late, she calculated; it would take her at least
that to do her hair and dress. Mrs. Topes would be on the war-path
again; though what business that old woman had to lecture her as she
did, goodness only knew. She always succeeded in making herself horribly
offensive and unpleasant.
The beach was quite deserted as she trotted, panting, across it, empty
to right and left as far as she could see. If only she had a horse to go
galloping at the water's edge, miles and miles. Right away down to Bocca
d'Arno she'd go, swim the river--she saw herself crouching on the
horse's back, as he swam, with legs tucked up on the saddle, trying not
to get her feet wet--and gallop on again, goodness only knew where.
In front of the cabin she suddenly halted. There in the ruffled sand she
had seen a writing. Big letters, faintly legible, sprawled across her
path.
O CLARA D'ELLÉBEUSE.
She pieced the dim letters together. They hadn't been there when she
started out to bathe. Who?... She looked round. The beach was quite
empty. And what was the meaning? "O Clara d'Ellébeuse." She took her
bath-gown from the cabin, slipped on her sandals, and ran back towards
the house as fast as she could. She felt most horribly frightened.
It was a sultry, headachey sort of morning, with a hot sirocco that
stirred the bunting on the flagstaffs. By midday the thunderclouds had
covered half the sky. The sun still blazed on the sea, but over the
mountains all was black and indigo. The storm broke noisily overhead
just as they were drinking their after-luncheon coffee.
"Arthur," said Mrs. Topes, painfully calm, "shut the shutters, please."
She was not frightened, no. But she preferred not to see the lightning.
When the room was darkened, she began to talk, suavely and incessantly.
Lying back in her deep arm-chair, Barbara was thinking of Clara
d'Ellébeuse. What did it mean and who was Clara d'Ellébeuse? And why had
he written it there for her to see? He--for there could be no doubt who
had written it. The flash of teeth and eyes, the military salute; she
knew she oughtn't to have waved to him. He had written it there while
she was swimming out. Written it and then run away. She rather liked
that--just an extraordinary word on the sand, like the footprint in
_Robinson Crusoe._
"Personally," Mrs. Topes was saying, "I prefer Harrod's."
The thunder crashed and rattled. It was rather exhilarating, Barbara
thought; one felt, at any rate, that something was happening for a
change. She remembered the little room half-way up the stairs at Lady
Thingumy's house, with the bookshelves and the green curtains and the
orange shade on the light; and that awful young man like a white slug
who had tried to kiss her there, at the dance last year. But that was
different--not at all serious; and the young man had been so horribly
ugly. She saw the marquis running up the beach, quick and alert. Copper
coloured all over, with black hair. He was certainly very handsome. But
as for being in love, well ... what did that exactly mean? Perhaps when
she knew him better. Even now she fancied she detected something. O
Clara d'Ellébeuse. What an extraordinary thing it was.
With his long fingers Mr. Buzzacott combed his beard. This winter, he
was thinking, he would put another thousand into Italian money when the
exchange was favourable. In