Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 15 — CHAPTER XIV. Central question How does Dorian dispose of Basil and escape immediate detection? Main argument Dorian manipulates Alan Campbell into chemically destroying the body, using old knowledge...
of his Astrakhan coat, and seemed not to have noticed the
gesture with which he had been greeted.
“Yes: it is a matter of life and death, Alan, and to more than one
person. Sit down.”
Campbell took a chair by the table, and Dorian sat opposite to him. The
two men’s eyes met. In Dorian’s there was infinite pity. He knew that
what he was going to do was dreadful.
After a strained moment of silence, he leaned across and said, very
quietly, but watching the effect of each word upon the face of him he
had sent for, “Alan, in a locked room at the top of this house, a room
to which nobody but myself has access, a dead man is seated at a table.
He has been dead ten hours now. Don’t stir, and don’t look at me like
that. Who the man is, why he died, how he died, are matters that do not
concern you. What you have to do is this—”
“Stop, Gray. I don’t want to know anything further. Whether what you
have told me is true or not true doesn’t concern me. I entirely decline
to be mixed up in your life. Keep your horrible secrets to yourself.
They don’t interest me any more.”
“Alan, they will have to interest you. This one will have to interest
you. I am awfully sorry for you, Alan. But I can’t help myself. You are
the one man who is able to save me. I am forced to bring you into the
matter. I have no option. Alan, you are scientific. You know about
chemistry and things of that kind. You have made experiments. What you
have got to do is to destroy the thing that is upstairs—to destroy it
so that not a vestige of it will be left. Nobody saw this person come
into the house. Indeed, at the present moment he is supposed to be in
Paris. He will not be missed for months. When he is missed, there must
be no trace of him found here. You, Alan, you must change him, and
everything that belongs to him, into a handful of ashes that I may
scatter in the air.”
“You are mad, Dorian.”
“Ah! I was waiting for you to call me Dorian.”
“You are mad, I tell you—mad to imagine that I would raise a finger to
help you, mad to make this monstrous confession. I will have nothing to
do with this matter, whatever it is. Do you think I am going to peril
my reputation for you? What is it to me what devil’s work you are up
to?”
“It was suicide, Alan.”
“I am glad of that. But who drove him to it? You, I should fancy.”
“Do you still refuse to do this for me?”
“Of course I refuse. I will have absolutely nothing to do with it. I
don’t care what shame comes on you. You deserve it all. I should not be
sorry to see you disgraced, publicly disgraced. How dare you ask me, of
all men in the world, to mix myself up in this horror? I should have
thought you knew more about people’s characters. Your friend Lord Henry
Wotton can’t have taught you much about psychology, whatever else he
has taught you. Nothing will induce me to stir a step to help you. You
have come to the wrong man. Go to some of your friends. Don’t come to
me.”
“Alan, it was murder. I killed him. You don’t know what he had made me
suffer. Whatever my life is, he had more to do with the making or the
marring of it than poor Harry has had. He may not have intended it, the
result was the same.”
“Murder! Good God, Dorian, is that what you have come to? I shall not
inform upon you. It is not my business. Besides, without my stirring in
the matter, you are certain to be arrested. Nobody ever commits a crime
without doing something stupid. But I will have nothing to do with it.”
“You must have something to do with it. Wait, wait a moment; listen to
me. Only listen, Alan. All I ask of you is to perform a certain
scientific experiment. You go to hospitals and dead-houses, and the
horrors that you do there don’t affect you. If in some hideous
dissecting-room or fetid laboratory you found this man lying on a
leaden table with red gutters scooped out in it for the blood to flow
through, you would simply look upon him as an admirable subject. You
would not turn a hair. You would not believe that you were doing
anything wrong. On the contrary, you would probably feel that you were
benefiting the human race, or increasing the sum of knowledge in the
world, or gratifying intellectual curiosity, or something of that kind.
What I want you to do is merely what you have often done before.
Indeed, to destroy a body must be far less horrible than what you are
accustomed to work at. And, remember, it is the only piece of evidence
against me. If it is discovered, I am lost; and it is sure to be
discovered unless you help me.”
“I have no desire to help you. You forget that. I am simply indifferent
to the whole thing. It has nothing to do with me.”
“Alan, I entreat you. Think of the position I am in. Just before you
came I almost fainted with terror. You may know terror yourself some
day. No! don’t think of that. Look at the matter purely from the
scientific point of view. You don’t inquire where the dead things on
which you experiment come from. Don’t inquire now. I have told you too
much as it is. But I beg of you to do this. We were friends once,
Alan.”
“Don’t speak about those days, Dorian—they are dead.”
“The dead linger sometimes. The man upstairs will not go away. He is
sitting at the table with bowed head and outstretched arms. Alan! Alan!
If you don’t come to my assistance, I am ruined. Why, they will hang
me, Alan! Don’t you understand? They will hang me for what I have
done.”
“There is no good in prolonging this scene. I absolutely refuse to do
anything in the matter. It is insane of you to ask me.”
“You refuse?”
“Yes.”
“I entreat you, Alan.”
“It is useless.”
The same look of pity came into Dorian Gray’s eyes. Then he stretched
out his hand, took a piece of paper, and wrote something on it. He read
it over twice, folded it carefully, and pushed it across the table.
Having done this, he got up and went over to the window.
Campbell looked at him in surprise, and then took up the paper, and
opened it. As he read it, his face became ghastly pale and he fell back
in his chair. A horrible sense of sickness came over him. He felt as if
his heart was beating itself to death in some empty hollow.
After two or three minutes of terrible silence, Dorian turned round and
came and stood behind him, putting his hand upon his shoulder.
“I am so sorry for you, Alan,” he murmured, “but you leave me no
alternative. I have a letter written already. Here it is. You see the
address. If you don’t help me, I must send it. If you don’t help me, I
will send it. You know what the result will be. But you are going to
help me. It is impossible for you to refuse now. I tried to spare you.
You will do me the justice to admit that. You were stern, harsh,
offensive. You treated me as no man has ever dared to treat me—no
living man, at any rate. I bore it all. Now it is for me to dictate
terms.”
Campbell buried his face in his hands, and a shudder passed through
him.
“Yes, it is my turn to dictate terms, Alan. You know what they are. The
thing is quite simple. Come, don’t work yourself into this fever. The
thing has to be done. Face it, and do it.”
A groan broke from Campbell’s lips and he shivered all over. The
ticking of the clock on the mantelpiece seemed to him to be dividing
time into separate atoms of agony, each of which was too terrible to be
borne. He felt as if an iron ring was being slowly tightened round his
forehead, as if the disgrace with which he was threatened had already
come upon him. The hand upon his shoulder weighed like a hand of lead.
It was intolerable. It seemed to crush him.
“Come, Alan, you must decide at once.”
“I cannot do it,” he said, mechanically, as though words could alter
things.
“You must. You have no choice. Don’t delay.”
He hesitated a moment. “Is there a fire in the room upstairs?”
“Yes, there is a gas-fire with asbestos.”
“I shall have to go home and get some things from the laboratory.”
“No, Alan, you must not leave the house. Write out on a sheet of
notepaper what you want and my servant will take a cab and bring the
things back to you.”
Campbell scrawled a few lines, blotted them, and addressed an envelope
to his assistant. Dorian took the note up and read it carefully. Then
he rang the bell and gave it to his valet, with orders to return as
soon as possible and to bring the things with him.
As the hall door shut, Campbell started nervously, and having got up
from the chair, went over to the chimney-piece. He was shivering with a
kind of ague. For nearly twenty minutes, neither of the men spoke. A
fly buzzed noisily about the room, and the ticking of the clock was
like the beat of a hammer.
As the chime struck one, Campbell turned round, and looking at Dorian
Gray, saw that his eyes were filled with tears. There was something in
the purity and refinement of that sad face that seemed to enrage him.
“You are infamous, absolutely infamous!” he muttered.
“Hush, Alan. You have saved my life,” said Dorian.
“Your life? Good heavens! what a life that is! You have gone from
corruption to corruption, and now you have culminated in crime. In
doing what I am going to do—what you force me to do—it is not of your
life that I am thinking.”
“Ah, Alan,” murmured Dorian with a sigh, “I wish you had a thousandth
part of the pity for me that I have for you.” He turned away as he
spoke and stood looking out at the garden. Campbell made no answer.
After about ten minutes a knock came to the door, and the servant
entered, carrying a large mahogany chest of chemicals, with a long coil
of steel and platinum wire and two rather curiously shaped iron clamps.
“Shall I leave the things here, sir?” he asked Campbell.
“Yes,” said Dorian. “And I am afraid, Francis, that I have another
errand for you. What is the name of the man at Richmond who supplies
Selby with orchids?”
“Harden, sir.”
“Yes—Harden. You must go down to Richmond at once, see Harden
personally, and tell him to send twice as many orchids as I ordered,
and to have as few white ones as possible. In fact, I don’t want any
white ones. It is a lovely day, Francis, and Richmond is a very pretty
place—otherwise I wouldn’t bother you about it.”
“No trouble, sir. At what time shall I be back?”
Dorian looked at Campbell. “How long will your experiment take, Alan?”
he said in a calm indifferent voice. The presence of a third person in
the room seemed to give him extraordinary courage.
Campbell frowned and bit his lip. “It will take about five