Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...
in the
midst. Dick looked carefully at the spire. Didn't he know it?
Surely--yes, those imbricated copper plates with which it was covered,
that gilded ship that served as wind vane, the little gargoyles at the
corner of the tower there could be no doubt; it was Belbury church.
Belbury--that was where the . . . No, no; he wouldn't believe it. But
looking down again into that high-walled courtyard, full of those
queer, aimless folk, he was forced to admit it. The County Asylum
stands at Belbury. He had often noticed it from the train, a huge,
gaunt building of sausage-coloured brick, standing close to the
railway, on the opposite side of the line to Belbury village and
church. He remembered how, the last time he had passed in the train,
he had wondered what they did in the asylum. He had regarded it then
as one of those mysterious, unapproachable places, like Lhassa or a
Ladies' Lavatory, into which he would never penetrate. And now, here
he was, looking out through the bars, like any other madman. It was
all Pearl's doing, as usual. If there had been no bars, he would have
thrown himself out of the window.
He sat down on his bed and began to think about what he should do. He
would have to be very sane and show them by his behaviour and speech
that he was no more mad than the commonalty of mankind. He would be
extremely dignified about it all. If a warder or a doctor or somebody
came in to see him, he would rise to his feet and say in the calmest
and severest tones: "May I ask, pray, why I am detained here and upon
whose authority?" That ought to stagger them. He practised that
sentence, and the noble attitude with which he would accompany it, for
the best part of an hour. Then, suddenly, there was the sound of a key
in the lock. He hastily sat down again on the bed. A brisk little man
of about forty, clean shaven and with pince-nez, stepped into the
room, followed by a nurse and a warder in uniform. The doctor! Dick's
heart was beating with absurd violence; he felt like an amateur actor
at the first performance of an imperfectly rehearsed play. He rose,
rather unsteadily, to his feet, and in a voice that quavered a little
with an emotion he could not suppress, began:
"Pray I ask, may . . ."
Then, realizing that something had gone wrong, he hesitated,
stammered, and came to a pause.
The doctor turned to the nurse.
"Did you hear that?" he asked. "He called me May. He seems to think
everybody's a woman, not only himself."
Turning to Dick with a cheerful smile, he went on:
"Sit down, Miss Bellairs, please sit down."
It was too much. Dick burst into tears, flung himself upon the bed,
and buried his face in the pillow. The doctor looked at him as he lay
there sobbing, his whole body shaken and convulsed.
"A bad case, I fear."
And the nurse nodded.
* * * * *
For the next three days Dick refused to eat. It was certainly
unreasonable, but it seemed the only way of making a protest. On the
fourth day the doctor signed a certificate to the effect that forcible
feeding had become necessary. Accompanied by two warders and a nurse,
he entered Dick's room.
"Now, Miss Bellairs," he said, making a last persuasive appeal, "do
have a little of this nice soup. We have come to have lunch with you."
"I refuse to eat," said Dick icily, "as a protest against my unlawful
detention in this place. I am as sane as any of you here."
"Yes, yes." The doctor's voice was soothing. He made a sign to the
warders. One was very large and stout, the other wiry, thin, sinister,
like the second murderer in a play. They closed in on Dick.
"I won't eat and I won't be made to eat!" Dick cried. "Let me go!" he
shouted at the fat warder, who had laid a hand on his shoulder. His
temper was beginning to rise.
"Now, do behave yourself," said the fat warder. "It ain't a bit of use
kicking up a row. Now, do take a little of this lovely soup," he added
wheedlingly.
"Let me go!" Dick screamed again, all his self-control gone. "I will
not let myself be bullied."
He began to struggle violently. The fat warder put an arm round his
shoulders, as though he were an immense mother comforting an irritable
child. Dick felt himself helpless; the struggle had quite exhausted
him; he was weaker than he had any idea of. He began kicking the fat
man's shins; it was the only way he could still show fight.
"Temper, temper," remonstrated the warder, more motherly than ever.
The thin warder stooped down, slipped a strap round the kicking legs,
and drew it tight. Dick could move no more. His fury found vent in
words--vain, abusive, filthy words, such as he had not used since he
was a schoolboy.
"Let me go," he screamed--"let me go, you devils! You beasts, you
swine! beasts and swine!" he howled again and again.
They soon had him securely strapped in a chair, his head held back
ready for the doctor and his horrible-looking tubes. They were pushing
the horrors up his nostrils. He coughed and choked, spat, shouted
inarticulately, retched. It was like having a spoon put on your tongue
and being told to say A-a-h, but worse; it was like jumping into the
river and getting water up your nose--how he had always hated
that!--only much worse. It was like almost everything unpleasant, only
much, much worse than all. He exhausted himself struggling against his
utterly immovable bonds. They had to carry him to his bed, he was so
weak.
He lay there, unmoving--for he was unable to move--staring at the
ceiling. He felt as though he were floating on air, unsupported, solid
no longer; the sensation was not unpleasant. For that reason he
refused to let his mind dwell upon it; he would think of nothing that
was not painful, odious, horrible. He thought about the torture which
had just been inflicted on him and of the monstrous injustice of which
he was a victim. He thought of the millions who had been and were
still being slaughtered in the war; he thought of their pain, all the
countless separate pains of them; pain incommunicable, individual,
beyond the reach of sympathy; infinities of pain pent within frail
finite bodies; pain without sense or object, bringing with it no hope
and no redemption, futile, unnecessary, stupid. In one supreme
apocalyptic moment he saw, he felt the universe in all its horror.
They forcibly fed him again the following morning and again on the day
after. On the fourth day pneumonia, the result of shock, complicated
by acute inflammation of the throat and pleura, set in. The fever and
pain gained ground. Dick had not the strength to resist their ravages,
and his condition grew hourly worse. His mind, however, continued to
work clearly--too clearly. It occurred to him that he might very
likely die. He asked for pencil and paper to be brought him, and
putting forth all the little strength he had left, he began to make
his testament.
"I am perfectly sane," he wrote at the top of the page, and underlined
the words three times. "I am confined here by the most intol. injust."
As soon as he began, he realized how little time and strength were
left him; it was a waste to finish the long words. "They are killing
me for my opins. I regard this war and all wars as utter bad.
Capitalists' war. The devils will be smashed sooner later. Wish I
could help. But it won't make any difference," he added on a new line
and as though by an afterthought. "World will always be hell. Cap. or
Lab., Engl. or Germ.--all beasts. One in a mill. is GOOD. I wasn't.
Selfish intellect. Perhaps Pearl Bellairs better. If die, send corp.
to hosp. for anatomy. Useful for once in my life!"
Quite suddenly, he lapsed into delirium. The clear lucidity of his
mind became troubled. The real world disappeared from before his eyes,
and in its place he saw a succession of bright, unsteady visions
created by his sick fantasy. Scenes from his childhood, long
forgotten, bubbled up and disappeared. Unknown, hideous faces crowded
in upon him; old friends revisited him. He was living in a bewildering
mixture of the familiar and the strange. And all the while, across
this changing unsubstantial world, there hurried a continual,
interminable procession of dromedaries--countless high-domed beasts,
with gargoyle faces and stiff legs and necks that bobbed as though on
springs. Do what he could, he was unable to drive them away. He lost
his temper with the brutes at last, struck at them, shouted; but in
vain. The room rang with his cries of, "Get away, you beasts. Bloody
humps. None of your nonconformist faces here." And while he was
yelling and gesticulating (with his left hand only), his right hand
was still busily engaged in writing. The words were clear and legible;
the sentences consecutive and eminently sane. Dick might rave, but
Pearl Bellairs remained calm and in full possession of her deplorable
faculties. And what was Pearl doing with her busy pencil, while Dick,
like a frenzied Betsy Trotwood, shouted at the trespassing camels? The
first thing she did was to scratch out all that poor Dick had said
about the war. Underneath it she wrote:
"We shall not sheathe the sword, which we have not lightly . . ." And
then, evidently finding that memorable sentence too long, particularly
so since the addition of Poland and Czecho-Slovakia to the list of
Allies, she began again.
"We are fighting for honour and the defence of Small Nationalities.
Plucky little Belgium! We went into the war with clean hands."
A little of Pearl's thought seemed at this moment to have slopped over
into Dick's mind; for he suddenly stopped abusing his dromedaries and
began to cry out in the most pitiable fashion, "Clean hands, clean
hands! I can't get mine clean. I can't, I can't, I can't. I
contaminate everything." And he kept rubbing his left hand against the
bed-clothes and putting his fingers to his nose, only to exclaim,
"Ugh, they still stink of goat!" and then to start rubbing again.
The right hand wrote on unperturbed. "No peace with the Hun until he
is crushed and humiliated. Self-respecting Britons will refuse to
shake a Hunnish hand for many a long year after the war. No more
German waiters. Intern the Forty-Seven Thousand Hidden Hands in High
Places!"
At this point, Pearl seemed to have been struck by a new idea. She
took a clean page and began:
"To the Girls of England. I am a woman and proud of the fact. But,
girls, I blushed for my sex to-day when I read in the papers that
there had been cases of English girls talking to Hun prisoners, and
not only talking to them, but allowing themselves to be kissed by
them. Imagine! Clean, healthy British girls allowing themselves to be
kissed by the swinish and bloodstained lips of the unspeakable Hun! Do
you wonder that I blush for my sex? Stands England where she did? No,
emphatically no, if these stories are true, and true--sadly and with a
heavy bleeding heart do I admit it--true they are."
"Clean hands, clean hands," Dick was still muttering, and applying his
ringers to his nose once more, "Christ," he cried, "how they stink!
Goats, dung . . ."
"Is there any excuse for such conduct?" the pencil continued. "The
most that can be said in palliation of the offence is that girls are
thoughtless, that they do not consider the full significance of