Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...
this youthful bejauna; Millicent pursued her
course unmoved. She founded new societies and put fresh life into the
institutions which already existed at St. Mungo's to take cocoa and
discuss the problems of the universe. She played hockey like a
tornado, and she worked alarmingly hard. Decidedly, Millicent was a
Force, very soon the biggest Force in the St. Mungo world. In her
fifth term she organized the famous St. Mungo general strike, which
compelled the authorities to relax a few of the more intolerably
tyrannical and anachronistic rules restricting the liberty of the
students. It was she who went, on behalf of the strikers, to interview
the redoubtable Miss Prosser, Principal of St. Mungo's. The
redoubtable Miss Prosser looked grim and invited her to sit down,
Millicent sat down and, without quailing, delivered a short but
pointed speech attacking the fundamental principles of the St. Mungo
system of discipline.
"Your whole point of view," she assured Miss Prosser, "is radically
wrong. It's an insult to the female sex; it's positively obscene. Your
root assumption is simply this: that we're all in a chronic state of
sexual excitement; leave us alone for a moment and we'll immediately
put our desires into practice. It's disgusting. It makes me blush.
After all, Miss Prosser, we are a college of intelligent women, not an
asylum of nymphomaniacs."
For the first time in her career, Miss Prosser had to admit herself
beaten. The authorities gave in--reluctantly and on only a few points;
but the principle had been shaken, and that, as Millicent pointed out,
was what really mattered.
Dick used to see a good deal of his sister while he was still in
residence at Canteloup, and after he had gone down he used to come
regularly once a fortnight during term to visit her. That horrible
mutual reserve, which poisons the social life of most families and
which had effectively made of their brotherly and sisterly relation a
prolonged discomfort in the past, began to disappear. They became the
best of friends.
"I like you, Dick, a great deal better than I did," said Millicent one
day as they were parting at the gate of St. Mungo's after a long walk
together.
Dick took off his hat and bowed. "My dear, I reciprocate the
sentiment. And, what's more, I esteem and admire you. So there."
Millicent curtsied, and they laughed. They both felt very happy.
VI
"WHAT a life!" said Dick, with a sigh of weariness as the train moved
out of Euston.
Not a bad life, Millicent thought.
"But horribly fatiguing. I am quite outreined by it."
"Outreined" was Dick's translation of _éreinté_. He liked using words
of his own manufacture; one had to learn his idiom before one could
properly appreciate his intimate conversation.
Dick had every justification for being outreined. The spring and
summer had passed for him in a whirl of incessant activity. He had
written three long chapters of the _New Synthetic Philosophy_, and had
the material for two more ready in the form of notes. He had helped to
organize and bring to its successful conclusion the great carpenters'
strike of May and June. He had written four pamphlets and a small army
of political articles. And this comprised only half his labour; for
nightly, from twelve till two, Pearl Bellairs emerged to compose the
masterpieces which supplied Dick with his bread and butter. _Apes in
Purple_ had been published in May. Since then she had finished _La
Belle Dame sans Morality_, and had embarked on the first chapters of
_Daisy's Voyage to Cythera_. Her weekly articles, "For the Girls of
Britain," had become, during this period, a regular and favourite
feature in the pages of _Hildebrand's Sabbath_, that prince of Sunday
papers. At the beginning of July, Dick considered that he had earned a
holiday, and now they were off, he and Millicent, for the North.
Dick had taken a cottage on the shore of one of those long salt-water
lochs that give to the west coast of Scotland such a dissipated
appearance on the map. For miles around there was not a living soul
who did not bear the name of Campbell--two families only excepted, one
of whom was called Murray-Drummond and the other Drummond-Murray.
However, it was not for the people that Dick and Millicent had come,
so much as for the landscape, which made up in variety for anything
that the inhabitants might lack. Behind the cottage, in the midst of a
narrow strip of bog lying between the loch and the foot of the
mountains, stood one of the numerous tombs of Ossian, a great barrow
of ancient stones. And a couple of miles away the remains of Deirdre's
Scottish refuge bore witness to the Celtic past. The countryside was
dotted with the black skeletons of mediæval castles. Astonishing
country, convulsed into fantastic mountain shapes, cut and indented by
winding fiords. On summer days the whole of this improbable landscape
became blue and remote and aerially transparent. Its beauty lacked all
verisimilitude. It was for that reason that Dick chose the
neighbourhood for his holidays. After the insistent actuality of
London this frankly unreal coast was particularly refreshing to a
jaded spirit.
"Nous sommes ici en plein romantisme," said Dick on the day of their
arrival, making a comprehensive gesture towards the dream-like
scenery, and for the rest of his holiday he acted the part of a young
romantic of the palmy period. He sat at the foot of Ossian's tomb and
read Lamartine; he declaimed Byron from the summit of the mountains
and Shelley as he rowed along the loch. In the evening he read George
Sand's _Indiana_; he agonized with the pure, but passionate, heroine,
while his admiration for Sir Brown, her English lover, the impassive
giant who never speaks and is always clothed in faultless hunting
costume, knew no bounds. He saturated himself in the verses of Victor
Hugo, and at last almost came to persuade himself that the words,
_Dieu_, _infinité_, _eternité_, with which the works of that
deplorable genius are so profusely sprinkled, actually possessed some
meaning, though what that meaning was he could not, even in his most
romantic transports, discover. Pearl Bellairs, of course, understood
quite clearly their significance, and though she was a very poor
French scholar she used sometimes to be moved almost to tears by the
books she found lying about when she came into existence after
midnight. She even copied out extracts into her notebooks with a view
to using them in her next novel.
"Les plus désespérés sont les chants les plus beaux,
Et j'en sais d'immortels qui sont de purs sanglots,"
was a couplet which struck her as sublime.
Millicent, meanwhile, did the housekeeping with extraordinary
efficiency, took a great deal of exercise, and read long, serious
books; she humoured her brother in his holiday romanticism, but
refused to take part in the game.
The declaration of war took them completely by surprise. It is true
that a _Scotsman_ found its way into the cottage by about lunch-time
every day, but it was never read, and served only to light fires and
wrap up fish and things of that sort. No letters were being forwarded,
for they had left no address; they were isolated from the world. On
the fatal morning Dick had, indeed, glanced at the paper, without
however noticing anything out of the ordinary. It was only later when,
alarmed by the rumours floating round the village shop, he came to
examine his _Scotsman_ more closely, that he found about half-way down
the third column of one of the middle pages an admirable account of
all that had been so tragically happening in the last twenty-four
hours; he learnt with horror that Europe was at war and that; his
country too had entered the arena. Even in the midst of his anguish of
spirit he could not help admiring the _Scotsman's_ splendid
impassivity--no headlines, no ruffling of the traditional aristocratic
dignity. Like Sir Rodolphe Brown in _Indiana_, he thought, with a
sickly smile.
Dick determined to start for London at once. He felt that he must act,
or at least create the illusion of action; he could not stay quietly
where he was. It was arranged that he should set out that afternoon,
while Millicent should follow a day or two later with the bulk of the
luggage. The train which took him to Glasgow was slower than he
thought it possible for any train to be. He tried to read, he tried to
sleep; it was no good. His nervous agitation was pitiable; he made
little involuntary movements with his limbs, and every now and then
the muscles of his face began twitching in a spasmodic and
uncontrollable tic. There were three hours to wait in Glasgow; he
spent them in wandering about the streets. In the interminable summer
twilight the inhabitants of Glasgow came forth into the open to amuse
themselves; the sight almost made him sick. Was it possible that there
should be human beings so numerous and so uniformly hideous? Small,
deformed, sallow, they seemed malignantly ugly, as if on purpose. The
words they spoke were incomprehensible. He shuddered; it was an alien
place--it was hell.
The London train was crammed. Three gross Italians got into Dick's
carriage, and after they had drunk and eaten with loud, unpleasant
gusto, they prepared themselves for sleep by taking off their boots.
Their feet smelt strongly ammoniac, like a cage of mice long
uncleaned. Acutely awake, while the other occupants of the compartment
enjoyed a happy unconsciousness, he looked at the huddled carcasses
that surrounded him. The warmth and the smell of them was suffocating,
and there came to his mind, with the nightmarish insistence of a fixed
idea, the thought that every breath they exhaled was saturated with
disease. To be condemned to sit in a hot bath of consumption and
syphilis--it was too horrible! The moment came at last when he could
bear it no longer; he got up and went into the corridor. Standing
there, or sitting sometimes for a few dreary minutes in the lavatory,
he passed the rest of the night. The train roared along without a
stop. The roaring became articulate: in the days of his childhood
trains used to run to the tune of "Lancashire, to Lancashire, to fetch
a pocket-handkercher; to Lancashire, to Lancashire . . ." But to-night
the wheels were shouting insistently, a million times over, two words
only--"the War, the War; the War, the War." He tried desperately to
make them say something else, but they refused to recite Milton; they
refused to go to Lancashire; they went on with their endless Tibetan
litany--the War, the War, the War.
By the time he reached London, Dick was in a wretched state. His
nerves were twittering and jumping within him; he felt like a walking
aviary. The tic in his face had become more violent and persistent. As
he stood in the station, waiting for a cab, he overheard a small child
saying to its mother, "What's the matter with that man's face,
mother?"
"Sh--sh, darling," was the reply. "It's rude."
Dick turned and saw the child's big round eyes fixed with fascinated
curiosity upon him, as though he were a kind of monster. He put his
hand to his forehead and tried to stop the twitching of the muscles
beneath the skin. It pained him to think that he had become a
scarecrow for children.
Arrived at his flat, Dick drank a glass of brandy and lay down for a
rest. He felt exhausted--ill. At half-past one he got up, drank some
more brandy, and crept down into the street. It was intensely hot; the
pavements reverberated the sunlight in a glare which hurt his eyes;
they seemed to be in a state of grey incandescence. A nauseating smell
of wetted dust rose from the roadway, along which a