Cover for Antic Hay

Project Gutenberg #60483

Antic Hay

Aldous Huxley

1923

Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.

Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 21 of 22 Page 4 of 5

CHAPTER XXI

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Chapter 21 — CHAPTER XXI Central question What happens when Gumbril returns to Mrs. Viveash? Main argument Mrs. Viveash remains bored, ill, and worldly, and Gumbril’s renewed visit exposes the circularity of his...

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first time. That, too, seems a little ridiculous, sometimes, in the morning. “Here are the lights again,” said Mrs. Viveash. “Hop, twitch, flickyes, genuinely an illusion of jollity, Theodore. Genuinely.” Gumbril stopped the cab. “It’s after half-past eight,” he said. “At this rate we shall never get anything to eat. Wait a minute.” He ran into Appenrodt’s, and came back in a moment with a packet of smoked salmon sandwiches, a bottle of white wine and a glass. “We have a long way to go,” he explained, as he got into the taxi. They ate their sandwiches, they drank their wine. The taxi drove on and on. “This is positively exhilarating,” said Mrs. Viveash, as they turned into the Edgware Road. Polished by the wheels and shining like an old and precious bronze, the road stretched before them, reflecting the lamps. It had the inviting air of a road which goes on for ever. “They used to have such good peep-shows in this street,” Gumbril tenderly remembered: “Little back shops where you paid twopence to see the genuine mermaid, which turned out to be a stuffed walrus, and the tattooed lady, and the dwarf, and the living statuary, which one always hoped, as a boy, was really going to be rather naked and thrilling, but which was always the most pathetic of unemployed barmaids, dressed in the thickest of pink Jaeger.” “Do you think there’d be any of those now?” asked Mrs. Viveash. Gumbril shook his head. “They’ve moved on with the march of civilization. But where?” He spread out his hands interrogatively. “I don’t know which direction civilization marcheswhether north towards Kilburn and Golders Green, or over the river to the Elephant, to Clapham and Sydenham and all those other mysterious places. But, in any case, high rents have marched up here; there are no more genuine mermaids in the Edgware Road. What stories we shall be able to tell our children!” “Do you think we shall ever have any?” Mrs. Viveash asked. “One can never tell.” “I should have thought one could,” said Mrs. Viveash. Childrenthat would be the most desperate experiment of all. The most desperate, and perhaps the only one having any chance of being successful. History recorded cases.... On the other hand, it recorded other cases that proved the opposite. She had often thought of this experiment. There were so many obvious reasons for not making it. But some day, perhapsshe always put it off, like that. The cab had turned off the main road into quieter and darker streets. “Where are we now?” asked Mrs. Viveash. “Penetrating into Maida Vale. We shall soon be there. Poor old Shearwater!” He laughed. Other people in love were always absurd. “Shall we find him in, I wonder?” It would be fun to see Shearwater again. She liked to hear him talking, learnedly, and like a child. But when the child is six feet high and three feet wide and two feet thick, when it tries to plunge head first into your lifethen, really, no.... “But what did you want with me?” he had asked. “Just to look at you,” she answered. Just to look; that was all. Music hall, not boudoir. “Here we are.” Gumbril got out and rang the second floor bell. The door was opened by an impertinent-looking little maid. “Mr. Shearwater’s at the lavatory,” she said, in answer to Gumbril’s question. “Laboratory?” he suggested. “At theospital.” That made it clear. “And is Mrs. Shearwater at home?” he asked maliciously. The little maid shook her head. “I expecteder, but she didn’t come back to dinner.” “Would you mind giving her a message when she does come in,” said Gumbril. “Tell her that Mr. Toto was very sorry he hadn’t time to speak to her when he saw her this evening in Pimlico.” “Mr. who?” “Mr. Toto.” “Mr. Toto is sorryeadn’t the time to speak to Mrs. Shearwater whene sawer in Pimlico this evening. Very well, sir.” “You won’t forget?” said Gumbril. “No, I won’t forget.” He went back to the cab and explained that they had drawn blank once more. “I’m rather glad,” said Mrs. Viveash. “If we ever did find anybody, it would mean the end of this Last-Ride-Together feeling. And that would be sad. And it’s a lovely night. And really, for the moment, I feel I can do without my lights. Suppose we just drove for a bit now.” But Gumbril would not allow that. “We haven’t had enough to eat yet,” he said, and he gave the cabman Gumbril Senior’s address. Gumbril Senior was sitting on his little iron balcony among the dried-out pots that had once held geraniums, smoking his pipe and looking earnestly out into the darkness in front of him. Clustered in the fourteen plane trees of the square, the starlings were already asleep. There was no sound but the rustling of the leaves. But sometimes, every hour or so, the birds would wake up. Somethingperhaps it might be a stronger gust of wind, perhaps some happy dream of worms, some nightmare of cats simultaneously dreamed by all the flock togetherwould suddenly rouse them. And then they would all start to talk at once, at the tops of their shrill voicesfor perhaps half a minute. Then in an instant they all went to sleep again and there was once more no sound but the rustling of the shaken leaves. At these moments Mr. Gumbril would lean forward, would strain his eyes and his ears in the hope of seeing, of hearing somethingsomething significant, explanatory, satisfying. He never did, of course; but that in no way diminished his happiness. Mr. Gumbril received them on his balcony with courtesy. “I was just thinking of going in to work,” he said. “And now you come and give me a good excuse for sitting out here a little longer. I’m delighted.” Gumbril Junior went downstairs to see what he could find in the way of food. While he was gone, his father explained to Mrs. Viveash the secrets of the birds. Enthusiastically, his light floss of grey hair floating up and falling again about his head as he pointed and gesticulated, he told her; the great flocks assembledgoodness only knew where!—they flew across the golden sky, detaching here a little troop, there a whole legion, they flew until at last all had found their appointed resting-places and there were no more to fly. He made this nightly flight sound epical, as though it were a migration of peoples, a passage of armies. “And it’s my firm belief,” said Gumbril Senior, adding notes to his epic, “that they make use of some sort of telepathy, some kind of direct mind-to-mind communication between themselves. You can’t watch them without coming to that conclusion.” “A charming conclusion,” said Mrs. Viveash. “It’s a faculty,” Gumbril Senior went on, “we all possess, I believe. All we animals.” He made a gesture which included himself, Mrs. Viveash and the invisible birds among the plane trees. “Why don’t we use it more? You may well ask. For the simple reason, my dear young lady, that half our existence is spent in dealing with things that have no mindthings with which it is impossible to hold telepathic communication. Hence the development of the five senses. I have eyes that preserve me from running into the lamp-post, ears that warn me I’m in the neighbourhood of Niagara. And having made these instruments very efficient, I use them even in holding converse with other beings having a mind. I let my telepathic faculty lie idle, preferring to employ an elaborate and cumbrous arrangement of symbols in order to make my thought known to you through your senses. In certain individuals, however, the faculty is naturally so well-developed—like the musical, or the mathematical, or the chess-playing faculties in other peoplethat they cannot help entering into direct communication with other minds, whether they want to or not. If we knew a good method of educating and drawing out the latent faculty, most of us could make ourselves moderately efficient telepaths; just as most of us can make ourselves into moderate musicians, chess players and mathematicians. There would also be a few, no doubt, who could never communicate directly. Just as there are a few who cannot recognizeRule Britannia’ or Bach’s Concerto in D minor for two violins, and a few who cannot comprehend the nature of an algebraical symbol. Look at the general development of the mathematical and musical faculties only within the last two hundred years. By the twenty-first century, I believe, we shall all be telepaths. Meanwhile, these delightful birds have forestalled us. Not having the wit to invent a language or an expressive pantomime, they contrive to communicate such simple thoughts as they have, directly and instantaneously. They all go to sleep at once, wake at once, say the same thing at once; they turn all at once when they’re flying. Without a leader, without a word of command, they do everything together, in complete unison. Sitting here in the evenings, I sometimes fancy I can feel their thoughts striking against my own. It has happened to me once or twice: that I have known a second before it actually happened, that the birds were going to wake up and begin their half-minute of chatter in the dark. Wait! Hush.” Gumbril Senior threw back his head, pressed his hand over his mouth, as though by commanding silence on himself he could command it on the whole world. “I believe they’re going to wake now. I feel it.” He was silent. Mrs. Viveash looked towards the dark trees and listened. A full minute passed. Then the old gentleman burst out happily laughing. “Completely wrong!” he said. “They’ve never been more soundly asleep.” Mrs. Viveash laughed too. “Perhaps they all changed their minds, just as they were waking up,” she suggested. Gumbril Junior reappeared; glasses clinked as he walked, and there was a little rattle of crockery. He was carrying a tray. “Cold beef,” he said, “and salad and a bit of a cold apple-pie. It might be worse.” They drew up chairs to Gumbril Senior’s work-table, and there, among the letters and the unpaid bills and the sketchy elevations of archiducal palaces, they ate the beef and the apple-pie, and drank the one-and-ninepenny _vin ordinaire_ of the house. Gumbril Senior, who had already supped, looked on at them from the balcony. “Did I tell you,” said Gumbril Junior, “that we saw Mr. Porteous’s son the other eveningvery drunk?” Gumbril Senior threw up his hands. “If you knew the calamities that young imbecile has been the cause of!” “What’s he done?” “Gambled away I don’t know how much borrowed money. And poor Porteous can’t afford anythingeven now.” Mr. Gumbril shook his head and clutched and combed his beard. “It’s a fearful blow, but of course, Porteous is very steadfast and serene and.... There!” Gumbril Senior interrupted himself, holding up his hand. “Listen!” In the fourteen plane trees the starlings had suddenly woken up. There was a wild outburst, like a stormy sitting in the Italian Parliament. Then all was silent. Gumbril Senior listened, enchanted. His face, as he turned back towards the light, revealed itself all smiles. His hair seemed to have blown loose of its own accord, from within, so to speak; he pushed it into place. “You heard them?” he asked Mrs. Viveash. “What can they have to say to one another, I wonder, at this time of night?” “And did you feel they were going to wake up?” Mrs. Viveash inquired. “No,” said Gumbril Senior with candour. “When we’ve finished,” Gumbril Junior spoke with his mouth full, “you must show Myra your model of London. She’d adore itexcept that it has no electric sky-signs.” His father looked all of a sudden very much embarrassed. “I don’t

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