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Cover for The Art of Public Speaking

Project Gutenberg #16317

The Art of Public Speaking

J. Berg Esenwein and Dale Carnegie

1915

A practical course in confident delivery, voice, gesture, exposition, argument, persuasion, vocabulary, and effective conversation.

Project Gutenberg #16317 Public domain in the United States Cover source Local typographic cover created for The Missing Workbook from public-domain source metadata

Section 26 of 36 Page 1 of 2

CHAPTER XXV

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INFLUENCING THE CROWD Success in business, in the last analysis, turns upon touching the imagination of crowds. The reason that preachers in this present generation are less successful in getting people to want goodness than business men are in getting them to want motorcars, hats, and pianolas, is that business men as a class are more close and desperate students of human nature, and have boned down harder to the art of touching the imaginations of the crowds.—Gerald Stanley Lee, Crowds. In the early part of July, 1914, a collection of Frenchmen in Paris, or Germans in Berlin, was not a crowd in a psychological sense. Each individual had his own special interests and needs, and there was no powerful common idea to unify them. A group then represented only a collection of individuals. A month later, any collection of Frenchmen or Germans formed a crowd: Patriotism, hate, a common fear, a pervasive grief, had unified the individuals. The psychology of the crowd is far different from the psychology of the personal members that compose it. The crowd is a distinct entity. Individuals restrain and subdue many of their impulses at the dictates of reason. The crowd never reasons. It only feels. As persons there is a sense of responsibility attached to our actions which checks many of our incitements, but the sense of responsibility is lost in the crowd because of its numbers. The crowd is exceedingly suggestible and will act upon the wildest and most extreme ideas. The crowd-mind is primitive and will cheer plans and perform actions which its members would utterly repudiate. A mob is only a highly-wrought crowd. Ruskin's description is fitting: "You can talk a mob into anything; its feelings may beusually areon the whole, generous and right, but it has no foundation for them, no hold of them. You may tease or tickle it into anything at your pleasure. It thinks by infection, for the most part, catching an opinion like a cold, and there is nothing so little that it will not roar itself wild about, when the fit is on, nothing so great but it will forget in an hour when the fit is past."[28] History will show us how the crowd-mind works. The medieval mind was not given to reasoning; the medieval man attached great weight to the utterance of authority; his religion touched chiefly the emotions. These conditions provided a rich soil for the propagation of the crowd-mind when, in the eleventh century, flagellation, a voluntary self-scourging, was preached by the monks. Substituting flagellation for reciting penitential psalms was advocated by the reformers. A scale was drawn up, making one thousand strokes equivalent to ten psalms, or fifteen thousand to the entire psalter. This craze spread by leapsand crowds. Flagellant fraternities sprang up. Priests carrying banners led through the streets great processions reciting prayers and whipping their bloody bodies with leathern thongs fitted with four iron points. Pope Clement denounced this practise and several of the leaders of these processions had to be burned at the stake before the frenzy could be uprooted. All western and central Europe was turned into a crowd by the preaching of the crusaders, and millions of the followers of the Prince of Peace rushed to the Holy Land to kill the heathen. Even the children started on a crusade against the Saracens. The mob-spirit was so strong that home affections and persuasion could not prevail against it and thousands of mere babes died in their attempts to reach and redeem the Sacred Sepulchre. In the early part of the eighteenth century the South Sea Company was formed in England. Britain became a speculative crowd. Stock in the South Sea Company rose from 128-1/2 points in January to 550 in May, and scored 1,000 in July. Five million shares were sold at this premium. Speculation ran riot. Hundreds of companies were organized. One was formed "for a wheel of perpetual motion." Another never troubled to give any reason at all for taking the cash of its subscribersit merely announced that it was organized "for a design which will hereafter be promulgated." Owners began to sell, the mob caught the suggestion, a panic ensued, the South Sea Company stock fell 800 points in a few days, and more than a billion dollars evaporated in this era of frenzied speculation. The burning of the witches at Salem, the Klondike gold craze, and the forty-eight people who were killed by mobs in the United States in 1913, are examples familiar to us in America. The Crowd Must Have a Leader The leader of the crowd or mob is its determining factor. He becomes self-hynoptized with the idea that unifies its members, his enthusiasm is contagiousand so is theirs. The crowd acts as he suggests. The great mass of people do not have any very sharply-drawn conclusions on any subject outside of their own little spheres, but when they become a crowd they are perfectly willing to accept ready-made, hand-me-down opinions. They will follow a leader at all costsin labor troubles they often follow a leader in preference to obeying their government, in war they will throw self-preservation to the bushes and follow a leader in the face of guns that fire fourteen times a second. The mob becomes shorn of will-power and blindly obedient to its dictator. The Russian Government, recognizing the menace of the crowd-mind to its autocracy, formerly prohibited public gatherings. History is full of similar instances. How the Crowd is Created Today the crowd is as real a factor in our socialized life as are magnates and monopolies. It is too complex a problem merely to damn or praise itit must be reckoned with, and mastered. The present problem is how to get the most and the best out of the crowd-spirit, and the public speaker finds this to be peculiarly his own question. His influence is multiplied if he can only transmute his audience into a crowd. His affirmations must be their conclusions. This can be accomplished by unifying the minds and needs of the audience and arousing their emotions. Their feelings, not their reason, must be played uponit is "up to" him to do this nobly. Argument has its place on the platform, but even its potencies must subserve the speaker's plan of attack to win possession of his audience. Reread the chapter on "Feeling and Enthusiasm." It is impossible to make an audience a crowd without appealing to their emotions. Can you imagine the average group becoming a crowd while hearing a lecture on Dry Fly Fishing, or on Egyptian Art? On the other hand, it would not have required world-famous eloquence to have turned any audience in Ulster, in 1914, into a crowd by discussing the Home Rule Act. The crowd-spirit depends largely on the subject used to fuse their individualities into one glowing whole. Note how Antony played upon the feelings of his hearers in the famous funeral oration given by Shakespeare in "Julius Cæsar." From murmuring units the men became a unita mob. ANTONY'S ORATION OVER C SAR'S BODY Friends, Romans, countrymen! Lend me your ears; I come to bury Cæsar, not to praise him. The evil that men do lives after them; The good is oft interred with their bones: So let it be with Cæsar! The Noble Brutus Hath told you Cæsar was ambitious. If it were so, it was a grievous fault, And grievously hath Cæsar answered it. Here, under leave of Brutus, and the restFor Brutus is an honorable man, So are they all, all honorable menCome I to speak in Cæsar's funeral. He was my friend, faithful and just to me: But Brutus says he was ambitious; And Brutus is an honorable man. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Cæsar seem ambitious? When that the poor have cried, Cæsar hath wept; Ambition should be made of sterner stuff: Yet Brutus says, he was ambitious; And Brutus is an honorable man. You all did see, that, on the Lupercal, I thrice presented him a kingly crown, Which he did thrice refuse. Was this ambition? Yet Brutus says he was ambitious; And sure, he is an honorable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause; What cause withholds you then to mourn for him? Oh, judgment, thou art fled to brutish beasts, And men have lost their reason!—Bear with me; My heart is in the coffin there with Cæsar, And I must pause till it come back to me. [Weeps. 1 Plebeian. Methinks there is much reason in his sayings. 2 Ple. If thou consider rightly of the matter, Cæsar has had great wrong. 3 Ple. Has he, masters? I fear there will a worse come in his place. 4 Ple. Mark'd ye his words? He would not take the crown; Therefore, 'tis certain, he was not ambitious. 1 Ple. If it be found so, some will dear abide it. 2 Ple. Poor soul, his eyes are red as fire with weeping. 3 Ple. There's not a nobler man in Rome than Antony. 4 Ple. Now mark him, he begins again to speak. Ant. But yesterday, the word of Cæsar might Have stood against the world: now lies he there, And none so poor to do him reverence. Oh, masters! if I were dispos'd to stir Your hearts and minds to mutiny and rage, I should do Brutus wrong, and Cassius wrong, Who, you all know, are honorable men. I will not do them wrong; I rather choose To wrong the dead, to wrong myself, and you, Than I will wrong such honorable men. But here's a parchment, with the seal of Cæsar; I found it in his closet; 'tis his will: Let but the commons hear this testamentWhich, pardon me, I do not mean to readAnd they would go and kiss dead Cæsar's wounds, And dip their napkins in his sacred blood; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it as a rich legacy Unto their issue. 4 Ple. We'll hear the will: Read it, Mark Antony. All. The will! the will! we will hear Cæsar's will. Ant. Have patience, gentle friends: I must not read it; It is not meet you know how Cæsar lov'd you. You are not wood, you are not stones, but men; And, being men, hearing the will of Cæsar, It will inflame you, it will make you mad: 'Tis good you know not that you are his heirs; For if you should, oh, what would come of it! 4 Ple. Read the will; we'll hear it, Antony! You shall read us the will! Cæsar's will! Ant. Will you be patient? Will you stay awhile? I have o'ershot myself, to tell you of it. I fear I wrong the honorable men Whose daggers have stab'd Cæsar; I do fear it. 4 Ple. They were traitors: Honorable men! All. The will! the testament! 2 Ple. They were villains, murtherers! The will! Read the will! Ant. You will compel me then to read the will? Then, make a ring about the corpse of Cæsar, And let me shew you him that made the will. Shall I descend? And will you give me leave? All. Come down. 2 Ple. Descend. [He comes down from the Rostrum. 3 Ple. You shall have leave. 4 Ple. A ring; stand round. 1 Ple. Stand from the hearse, stand from the body. 2 Ple. Room for Antony!—most noble Antony! Ant. Nay, press not so upon me; stand far off. All. Stand back! room! bear back! Ant. If you have tears, prepare to shed them now; You all do know this mantle: I remember The first time ever Cæsar put it on; 'Twas on a summer's evening, in his tent, That day he overcame the Nervii. Look, in this place, ran Cassius' dagger through:

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